I figured I could justify buying some for myself if I also bought some for other people. And then I thought it would be more fun to actually make up little Easter baskets to put it in. But of course I didn’t want to buy some small, cheap basket that wouldn’t be worth the dollar-fifty, so I had to come up with another solution.
I could fold basket shapes out of newspaper.
Or . . . I could make use of the empty kleenex boxes that are almost always around (the household goes through a LOT of kleenex. Sorry – Kleenex).
Oh! And I could cut the edges down into grass shapes! And trim around the flowers printed on the sides!
So I did, and apparently they were a hit. One of the recipients encouraged me – repeatedly; one could say he egged me on, if one were inclined to make that sort of pun, which I am not, you’re welcome – to write it up as an Instructable, no really, he thought it was quite clever, and it could be just one photo and a couple lines of text, how quick and easy would that be!
I am actually quite pleased with them myself, but it -is- more than one step! My only regret? That I didn’t buy more chocolate eggs. But by some strange coincidence, tomorrow is the day after Easter, so there should be some good sales. And since I’ve been planning to hit post-Easter sales for cheap moving toys (glee! I can make Porkchop a friend!), well, I might as well take a minor side trip to the candy aisle.
Right. So. Way back in October, I finished the squid-eel known as Pork Chop.
I used a pretty green pearlescent paper to cover the finished body, with some strips of thin, transparent, dark grey PVC used as a fin along the top and tail. The enclosure was a cheap bird (or small animal) cage I found at Goodwill, painted with silver and black paint. I slapped a label on the front to complete the look – I printed the text with an old-timey looking script, and used a marker to give the paper an aged look.
Pork Chop worked just fine – up until the first night of the Halloween show, at which point his eyes stopped lighting up. I still haven’t debugged that, because in order to actually get at the interior, I’ll have to remove (destructively) the paper exterior and then make a new one. Bad planning/design. Would be much better to have an exterior that could be removed non-destructively, but it turned out that the easiest way to quickly attach the paper to the denim underlayer was glue. Lots of glue. And since I didn’t design/build the denim underlayer to be easy to remove, well, I have a problem. (Not much of a problem; I have plenty of the paper left, and can buy more.)
But moving on to the construction:
Leg in progress. I wrapped pieces of thin white foam (“Foamies” from Pearl Art) around the existing plastic structure, and stitched it to the denim underlayer, and to itself on the back side of the leg.
One little flipper foot. Thin white foam and PVC used for the webbing.
Beginning to cover Pork Chop with his pretty scaly paper skin. In the foreground are the flipper feet, with the foam covered with paper – the paper that isn’t yet wrapped around the flipper will be used to attach it to the wire and to the foam making up the upper leg.
The finished beast. The fin along Pork Chop’s back and tail is made from a thin PVC sheet. The original switch from the zombie is still sticking out under his belly – this will be wired in to an Arduino to set up the IR switch that will be used in the show.
I think I liked the floppy denim tentacles better than this rigid paper ones. Still, he managed to charm a couple barristas at the local coffee shop when I went in there, squid-eel tucked under my arm, to get some coffee to tide me over dealing with the serious electronics bit of business.
To line the cage, I took some packaging paper and spray-painted it with UV-reactive paint. Poor Pork Chop didn’t fit very comfortably inside.
I had help with the electronics, because I know nothing whatsoever about programming Arduino things. See, we had this neat little handheld lights that had a UV tube and a regular LED. The LEDs were replaced with IR LEDs, and each exhibit in the show was set up with an IR-detecting LED. Waving the UV light over the exhibit was supposed to reveal the location of the IR-detecting LED; shining the IR light on the IR detector would turn on the exhibit.
Pork Chop had three ways to be activated: the pressure-activated switch from the zombie’s hand, a light/motion sensor, and a sound sensor. Since I had already deactivated (or hidden) the latter two, the pressure switch was hooked up to an Arduino that was programmed and wired up to handle the IR-detection. We left the pressure switch intact for testing purposes and because, when the show was over, the Arduino was returned to its rightful owner.
The brains of the operation.
There was only a tiny bit of programming needed, to tell the switch how long to wait before resetting. Also we had to tweak the threshold at which the IR detector would pick up additional IR – the setting for the actual show was a much dimmer place than the sunny room the electronics were built in.
So, that was the squid-eel.
It was a lot of fun – I wish I’d bought several more crawling zombies, so I could have made an entire menagerie of weird twitching creatures! Maybe next October . . .
I’ve had more ideas about how to proceed from the previous session than I can ever conceivably pull off, and what I ended up with wasn’t actually on my list anywhere. It just sort of happened.
I started off by wrapping the body of the toy with some wadded up trace paper, to protect the wires and components, and to fill out the body so it didn’t look weird when I put a new skin over it.
I have a bunch of cheap tube socks lying around, for use in other projects, and I used several socks stuffed inside another sock to start forming a long, fish-like body. The open end of the stuffed sock easily stretched over the base of the plastic toy. Then I cut some scrap denim (read: old jeans with a ripped seat and paint all over them) into a more-or-less eel-like shape, fit it over the sock, and started basting it together.
I left a gap in the belly so I can replace the batteries; this will need a better solution in the final model.
When I got to the head, I wrapped more trace paper over the existing wire and foam head, and then played around with how to wrap the denim around to make an appropriate fishy face.
I did not exactly end up with your typical fishy face.
What happened was, as I was playing around with all the excess denim in the head area, some of it flopped forward into a long thin snout, which I kind of liked. And then I thought I could cut it into multiple strips, like tentacles. And then I tried forming a normal sort of fish head again. But the tentacle idea wouldn’t leave me alone.
Really pretty cute, no?
I think I’ll name him Pork Chop.
Next up is figuring out what the arms er flippers er tentacles er appendages are going to look like.
I like the fins; they go well with the overall fish-shape.
But I’ve also tested out some more arm-like appendages, and I think that’s where I’m eventually going. They look a little better scrabbling against the floor than the fins do.
Speaking of scrabbling, poor Pork Chop can’t really pull himself along the floor the way Dead Ed could. Too much weight, or drag, or something.
I am now in possession of materials for covering the squid-eel, including some lovely pearlescent paper (kind of plasticized paper), and thin foam for the tentacles.
I still need to replace the switch with one that is magnetically activated, and build/buy/trash-pick some sort of cage.
So Willoughby & Baltic is going to put together an interactive Halloween show at the Charles River Museum of Industry.
It’ll be in three parts, and the third part, the part that appeals the most to me, is a series of interactive “exhibits” of weird aquatic creatures that have been captured or created or something by a mad scientist, in approximately 1910.
I’d been thinking about getting some plastic creatures – fish, lobsters, reptiles – and hacking them apart and gluing them back together in ways Nature never intended, and then figuring out a way to animate them [It’s ALIVE!!!].
And then I walked into the Walgreens near work, and found Ed.
Dead Ed, the Crawling Zombie.
When the switch in his hand is pressed (or, if he’s set to react to noise/motion, when the noise/motion sensors are tripped), his red LED eyes light up, he moans and groans and says things like “I can only crawl after ya so fast!,” and his arms start moving at a frantic pace, gradually pulling his legless body across the floor.
You can see the potential.
It took me a day or two to decide I really wanted to acquire one of these, because none of them in the store actually worked, and while it might have been due to dead batteries, maybe it wasn’t. Well, it wasn’t.
I tried Dead Ed out on the kitchen floor, with Claude perched inside my collar. In retrospect, that might not have been the most brilliant move on my part, but Claude is rarely inclined to giving me harsh warning bites when something frightens him. Instead, he kind of puffed himself up and growled and muttered while Dead Ed skittered around the floor and groaned about not being able to feel his legs.
When I offered my finger to Claude, suggesting that he go hang out on the floor and take a closer look, he refused utterly.
Later, after the birds were tucked into bed, I took Dead Ed up to my work space and got out a utility knife, to get to the business of figuring out what sort of mechanism and structure I really had to work with under that rubbery green skin.
I used a utility knife to cut around the base of the skin, thinking I could just roll it up over itself and remove it that way. During that process, I realized that the motion sensor was glued into the skin, so I had to cut around that, too.
It was fairly tricky to actually fold the skin back on itself, and I realized it would not be possible to pull it up over the shoulders. Unless I removed the arms, first.
So I cut the arms off at the seam – well, I should I say I pulled them apart at the seam, as the glue holding them on was quite weak. It was fairly easy to pull the arm skin off of the armature, which was nothing more than some stiff wire, bent into an arm shape (oooh! And bendable into other configurations!).
The left arm contained the wiring for the switch; the right arm was just a piece of wire.
I still had to remove the arms, which turned out to be fairly simple. Each arm (the stiff wire) was held in place by a piece of plastic that was screwed into the shoulder. Once the plastic cover was removed, the arm could be pulled free.
Note use of lid of sewing box to keep small screws and things from rolling away.
Once the arms were removed, the skin of the body was much easier to remove. It was also greasier inside than I expected.
Mmm, zombie grease.
It turns out that Ed’s head was just a small block of foam with some wire inside it.
That’s right, there were no brains.
The last step was to remove the LED eyes. They were glued in place, but some firm pressure was all that I needed to pop them out, and then the entire structure and mechanism was free of the skin.
There are a lot of wires and electronic bits, protected by a thin plastic shell.
The wires are easier to see without the cover. I need to remember to replace that before I put the new skin on. Whatever that is. I haven’t quite figured it out yet.
The speaker I will be disabling. Probably by careful use of a pair of diagonal pliers to the wires.
Tired of taking things apart (well, fearful, really, that any further disassembly would lead me to a state from which I could not return), I reassembled Ed, leaving the skin off.
I used a safety pin to hold the LEDs and the motion/light sensor safely on top of the head.
And here he is, in action, Dead Ed the Skinless Crawling Zombie.
What’s next? Well, I need to cut the speaker wires and create a new skin for this beastie. I have some stretchy snake-print fabric, and lots of random scraps of other potentially useful stuff.
I may also take a trip to the nearest cheap toy store and find something appropriate to cut up and attach to the existing armature.